(Concept spatial, La fin …, Ceramica spaziale (49-SC.6) 12-feb-2018 - Explora el tablero "Lucio fontana" de Jesusalmeriense, que 107214 personas siguen en Pinterest. Concetto Spaziale est représentative du mouvement spatialiste. Lucio Fontana. The meaning lies in associating the colour lying on the canvas (before) with the acute, ingenious and subtle vision of the cut (after), … image : 4R10252 (Concept spatial), Musée - Niveau 5 - Salle 36 : Lucio Fontana / Groupe 0 / Alberto Burri, Crédit photographique : © Jacqueline Hyde - Centre Pompidou, MNAM-CCI /Dist. Les rayures de cette oeuvre représentent des rayons solaires de part leur couleur dorée et de part leur disposition sur la toile. By 1960, Fontana restricted the number of tagli … Visit the Frank Lloyd Wright–designed Guggenheim Museum in NYC, part of a UNESCO World Heritage Site. Courtesy Mazzoleni © Fondazione Lucio Fontana, Milan. Spatial Concept. p. 39), Voir la notice sur le portail de la Bibliothèque Kandinsky. Together they constitute Fontana’s largest and most varied series of iconic works and have come to epitomise the artist’s expressive creativity. rais. En effet, pour les sons comme pour les rayons solaires, ils sont soit directs soit réfléchis (cf : l’acoustique des cinémas). Fontana' on the underside coloured glazed ceramic with holes and graffito 28.5 x 25 x 25 cm (11 1/4 x 9 7/8 x 9 7/8 in.) Attese. Lucio Fontana. Couleurs et verres colorés ont, pour les «Concetti spaziali», une double signification. Fontana’s cuts pierced the surface, opening up a new space behind the canvas, which was both a real space, liberated by the cut, … Lucio Fontana. Le Concetto Spaziale 56-P.3 (cat. This painting with five cuts is a manifest the artist’s signature “Spatialism”. “Concetto spaziale,” by Lucio Fontana Boetti, a key figure of Arte Povera, “looked at mathematics, games and puzzles in the way Bochner was looking at words,” Vincente explains. Comme le chirurgien, il incise la toile pour en extirper la connaissance ou pour inviter cet autre espace à conquérir cet autre univers. Lucio Fontana [1979 CX 0108], Diffusion image : l'Agence Photo de la RMN. Yet, the painting is considered one of the most … Definition, Synonyms, Translations of concetto by The Free Dictionary Lucio Fontana (1899 – 1968), Concetto Spaziale , 1967 , 59.1 x 51.1 cm. Concetto spaziale. (Concept spatial, attentes), Concetto spaziale, La fine di Dio (63-FD.17) En effet, d'une part, ils offrent des contrepoints matiéristes aux vides créés sur la toile et enrichissent ainsi le tableau d'effets chromatiques qu'on a pu qualifier de «baroques»; d'autre part, ils déterminent un effet métaphorique en suggérant, au-delà du vide des buchi, un autre espace, sidéral, celui-là, illuminé de constellations. The basis of the Concetto Spaziale works was the piercing, or later slashing with a razor, of the canvas to create an actual dimension of space. English Translation of “spaziale” | The official Collins Italian-English Dictionary online. Courtesy Sotheby’s. Musée Ludwig. Le Concetto Spaziale 56-P.3 (cat. LUCIO FONTANA (1899-1968) Concetto spaziale, [Teatrino] signé et titré 'l. SENS ET NON SENS L'Art abstrait ou non figuratif est, par définition même, un art qui ne figure rien, … Other Spazialismo artists included Gianni Dova … Ceramica spaziale (49-SC.6) (Céramique spatiale) 1949. Exceptionally rare, few Tagli are larger or include a greater number of Fontana’s iconic ‘slashes’ than ‘Concetto spaziale, Attese’. En ce qui concerne la septième rayure, la cassure effectuée au trois quart de la toile rappelle le phénomène de réfraction (bifurcation d’un rayon arrivant sur un prisme ayant un indice de refraction différent de celui de l’air ou, ici, de l’univers dans lequel évolue le rayon : voir schéma). Dans cette oeuvre, Fontana cherche à explorer l’espace / l’univers. Concetto Spaziale reminds us of an ancient stele or even of a celestial chart. Over 100,000 English translations of Italian words and phrases. Pour les premières rayures, il découle de leur disposition comme un effet de propagation. Concetto Spaziale – Attesa. With Concetto spaziale, Attese Fontana achieved the very synthesis of color, space, movement, and time that he grandiosely asserted as the aims of his art in 1947, espousing in his Manifesto Spaziale (Spatialist manifesto): “We believe that art liberates matter, the meaning of … Fontana made a long series of these and extended the idea into sculpture in his Concetto Spaziale, Natura series. (1899, Argentine - 1968, Italie), Concetto spaziale (56-P.3) Its meaning though is difficult to decipher, it is a still unknown constellation. But here lies the strength of Fontana's image, the precision of its purpose. Fontana’s Concetto Spaziale, I Quanta (1960), which combines nine geometrically shaped canvases, uniformly covered in water-based red paint, and each with distinct cuts and punctures. Fontana "Concetto Spaziale"' (on the reverse) oil on canvas and lacquered wood 24 … Estimate £50,000 - … Concetto Spaziale. This blog is a cut into the fabric of my life, to destroy the boundaries of written word or confined expression and to open up the space beyond. Les granulations de la toile même si elles sont noires pourraient correspondre aux constellations du ciel. Concetto spaziale (Spatial Concept) ... For works with only one cut, the subtitle was attesa, the Italian word meaning expectation or anticipation. Aller au contenu | Aller au menu | Aller à la recherche. rais. Lucio Fontana (1899 - 1968), Concetto Spaziale, Attese. Réalisé en 1966. signed and titled 'l. Quant aux fragments de verre coloré, ils sont placés aux points de croisement des lignes de trous qui, en occupant la périphérie du tableau, semblent quadriller l'espace à la manière d'une carte céleste. Warhol Self-Portrait Sells For $17.4 Million At Auction. Concetto spaziale - 4 études. Access more artwork lots and estimated & realized auction prices on MutualArt. 3777/1.. Full Cataloguing. Fontana added the subtitle “Attese”, meaning Expectation or Hope, to many of his tagli. A U.S. May 2, 2020 - View Concetto Spaziale - Teatrino (nero) (1968) By Lucio Fontana; cardboard; 70x 70 cm; Signed; Edition. Ogni tessuto, attraverso la sua matericità vuole esprime un differente concetto spaziale. It comes from the abstract artist Lucio Fontana. Concetto spaziale presents the viewer with a swirling constellation of holes on a nightlike background, revolving around a massy core of paint at the centre. In 1966 Fontana presented an entire room of white By adding this word to his standard title of Concetto Spaziale, Fontana imbues the boundless infinity he envisaged beyond the thin, elegant chasms of darkness created by his lacerations in the canvas with a sense of buoyancy and freedom. Il, n o 56.P.3), préparé par un dessin au stylo-bille, installe l'une de ces formes tel un vaisseau spatial utopique sur un fond gris-bleu suggérant un ciel. RMN-GP, Réf. Pour les lacérations, ce geste de trouer la toile fut perçu à l’époque comme un sacrilège. Deux études de plafond spatial. Christie's got $3.2 million for Fontana's red "Spatial Concept, Expectations" from 1967. Beginning in 1948 and continuing until his death in 1968, Fontana produced a series of paintings he described as “concetto spaziale” (spatial concept). Concetto Spaziale (Bianco) de Lucio Fontana, 1968 - Sculpture / Objet (Plastique) disponible à la vente à des prix avantageux - Acheter et vendre des oeuvres d'art sur kunzt.gallery He would place black gauze behind the canvas, giving the slashes and holes a sense of depth and dimension, a quality foreign to a medium that is typically, by … Neither painting nor sculpture, simultaneously a three-dimensional object and an immaterial, transcendent portal that invokes the fourth dimension and the boundless, unknowable depths of the universe, Concetto spaziale, La Fine di Dio is, like the rest of the series, a holistic object which, with its archetypal, regenerative and mystical ovoid or egg shaped form, also serves to embody the … His work, made with a variety of materials, including stamps, textiles and ballpoint pens, reflects Boetti’s fascination with alternative modes of art production, she says. 1961. Lucio Fontana. signed 'L. Ce sont les rayons qui se diffusent dans l’univers que représente sur la toile cet espace noir. Represents the collection of geometric properties of the elevation TIN spatial object. Cologne. This work titled “Concetto spaziale, Attese” (meaning “Spatial Concept, Waiting”) was created by Italian artist Lucio Fontana, the founder of an art movement called “Spatialism”. Les rayures de cette oeuvre représentent des rayons solaires de part leur couleur dorée et de part leur disposition sur la toile. This added a temporal dimension to the generic title 'Spatial Concept', which he gave to all his works from the late 1940s. La comparaison avec la diffusion des sons dans l’air est aussi possible. This work carries the weight of history as if it was an archaeological find that one admires with the stupor of a discovery just made. Measurement — with the deeper meaning of how we assess the world around us — is a theme that crops up again and again in the art on view. 10 mai 2017 - Lucio Fontana, “Concetto Spaziale,” bracelet, signed, gold, executed in 1961-62. Literally "Spacial Concept – Expectation". Pour les couleurs, le noir représente le vide, l’espace tel que nous le percevons au dessus de nos têtes la nuit. Concetto Spaziale, Attese is one of a series of works Fontana made in Milan between 1958 and 1968 that are collectively known as Tagli (‘cuts’). Lucio Fontana (1899-1968) , Concetto spaziale. Fontana's Concetto spaziale realized £2.7 million ($4.4 million), selling within estimate, while Concetto spaziale, Attesa fetched £2.3 million ($3.6 million) against a pre-sale high estimate of £1.5 million. Rappresentazione spaziale di un oggetto territoriale "GeologicFeature". This egg-like shape would soon after the creation of this present work become the defining motif of Fontana’s seminal series La Fine … This Concetto Spaziale is at once gestural and astral, organic and futuristic, primal and revolutionary; just as man entered space, so Fontana transcended the canvas, and brought outer space itself into art. Etude pour le mur spatial de la chambre de commerce de Milan. Il, n o 56.P.3), préparé par un dessin au stylo-bille, installe l'une de ces formes tel un vaisseau spatial utopique sur un fond gris-bleu suggérant un ciel. Il permet aussi au spectateur de voir ce qui est montrable (l’extérieur de la toile) et ce qui est caché (l’envers, le revers de la toile et le châssis). Expectations. 1951. ART ABSTRAIT. Furthermore, the holes cohere into an ovoid form, or perhaps even a halo. Pour les premières rayures, il découle de leur disposition comme un effet de propagation. Scholars and artists offer different views on how one can understand this painting. 1899-1968. Fontana le faisait car, pour lui, c’est un chemin vers la connaissance. It’s also a concept vividly present to visitors here these days, as Magazzino uses technology to enforce social distancing in the age of Covid-19: Museumgoers must wear lanyards attached to buzzers that vibrate if they come within six feet of … Entitled “Quanta," a term Fontana borrowed from quantum physics, this work composes different elements in constellations of canvasses that will be arranged by Bochner for the exhibition; Ver más ideas sobre Arte, Artistas, Arte contemporaneo. ART CONTEMPORAIN. This enigmatic quality underlines its charm and preciousness. Fontana "Concetto Spaziale"' (au dos) huile sur toile et bois laqué 62 x 76.4 x 7 cm. (ref. Lucio Fontana. A spatial representation of a GeologicFeature. Concetto spaziale, La fine di Dio (63-FD.17) (Concept spatial, La fin … [1963] Lucio Fontana. Executed in 1962-64, this work is registered with the Fondazione Lucio Fontana under the archive no. Fontana démontre ainsi que cet espace, avant d’être mathématique, est surtout physique. On peut aisément comparer cette ouverture à une sorte de naissance, ici par césarienne. photo Sothebys Executed in 1968. Executed in 1952, Concetto spaziale is an important early example of Lucio Fontana's trailblazing Buchi or 'Holes,' so named because of the innovative punctures with which he had forced the viewer to become aware of the three-dimensionality … From the earliest works in the series, he wrote the word 'Attesa', meaning 'expectation' or 'hope', on the back of all the canvases with one cut, and 'Attese' (plural) on all those with multiple cuts. Fontana added the subtitle “Attese”, meaning Expectation or Hope, to many of his tagli. He made cuts in his paintings to bear witness to the potential limitlessness of the surface by opening up the space beyond. Le geste de Fontana est net et sans agressivité, il est continu et d’intensité égale pendant la durée de l’opération. By adding this word to his standard title of Concetto Spaziale, Fontana imbues the boundless infinity he envisaged beyond the thin, elegant chasms of darkness created by his lacerations in the canvas with a sense of buoyancy and freedom. Vers 1956, des formes géométriques aux contours nettement délimités apparaissent dans les «Concetti spaziali». Concetto spaziale Dans cette oeuvre, Fontana cherche à explorer l’espace / l’univers. À partir de 1951, Lucio Fontana complexifie la construction de ses «Concetti spaziali» en intervenant à l'aide de couleurs et bientôt de fragments de verre coloré (qu'il dénomme pietre c'est à dire «pierres»), insérés dans les perforations (buchi) de ses tableaux. Myriam LORANT . How many times have we wondered, looking at one of these Concetto Spaziale works, what Fontana's expectations of the effect of that same cut, or rhythm of cuts, would have on a different colour? See the renowned permanent collection and special exhibitions. # par En lacérant sa toile, il ouvre un espace supplémentaire. Tantôt polygonales, tantôt arrondies, ces formes énigmatiques semblent flotter dans l'espace, comme les formes lumineuses conçues par Fontana pour les plafonds, dont il reçoit commande pour la Triennale ou la Foire de Milan. The exhibition examines how both Fontana and Melotti engaged with space and navigated the relationship between a work and its environment. 1957. ‘Concetto spaziale, Attese’ (1965) is a seminal work from Lucio Fontana’s most renowned and celebrated body of work, his instantly recognizable Tagli (Cuts) produced over the course of a decade between 1958 and 1968. 1951 - 1952. The paintings, usually all in one color, featured holes and slashes punched or cut into the canvas. Concetto Spaziale est représentative du mouvement spatialiste. Would the visual acuity of those cuts have been more incisive? Le nom des œuvres sont écrits en italien comme "Concetto spaziale, Attesa" qui veut dire "Concept spatial, Attente". (Céramique spatiale), Etude pour le mur spatial de la chambre de commerce de Milan, La collection du Musée national d’art moderne, © Fondation Lucio Fontana, Milano / by SIAE / Adagp, Paris, Crispolti (Enrico), Marck (Jan van der).- Lucio Fontana : catalogue raisonné des peintures, sculptures et environnements spatiaux (Archivio Lucio Fontana, Milan).- Bruxelles : La Connaissance, 1974 Source :Collection art moderne - La collection du Centre Pompidou, Musée national d’art moderne , sous la direction de Brigitte Leal, Paris, Centre Pompidou, 2007, Concetto spaziale, Attese (T.104) La couleur des rayures fait ressortir la nature éclatante du soleil et de ses rayons. Fontana cherche ainsi à rendre visible l’invisible. 56 P 3 reprod. With this label, Fontana draws attention to the ongoing possibilities that lie in the unknown future, as well as man's perception of time as a psychological experience as much as a physical one. 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